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Wood carving has long been a favorite medium of sculptors, and continuing that tradition is Sandy Stolle, whose works are currently featured in KPC's Gary Freeberg Gallery. Stolle, a resident of Seward, calls wood "a living medium" and carving it "a relationship and discourse between carver and plank." Her sculptures certainly bring new dimensions to this ancient art.Stolle says she has always been drawn to wood. She has worked with drawing and ceramics, but wood is her true love in art. She originally learned to carve and fit wood by taking classes in furniture making - "no one taught wood sculpture, so that was the closest I could get." But those courses in woodworking showed her the basics, and she applied what she learned there toward the creation of sculpture. In this, she likes to let the wood determine the final outcome."The majority of my carvings do not start with a preset image before selecting the lumber but rather evolve from the character and demands of the particular piece of wood," she explained. This can be seen in pieces like "Garden of Possibilities" and "Arctic Tern" where the natural grain and texture of yellow cedar become incorporated into the designs of flowers, leaves, and the head of the tern with its dark cap. |
Into
the New Day, By Sandy Stolle |
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Solstice
Light |
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Stolle uses many different kinds of wood, including mahogany, yellow cedar, red oak, English walnut, maple, basswood, and spruce. Each has its own distinctive color and texture. Most pieces are left to their natural color, but she uses colored stains on some. For example the shape of an exclamation point, is given emphatic highlights with blue and pink stains, and "Begonia Dreams" evokes the rich color of those flowers with a pink stain over golden maple. To find exotic wood for carving, Stolle says she purchases teak and mahogany which is sold commercially for boat-building, but "when people know you carve wood, they will find special pieces when they travel, and pass them on to you." Many species of tropical hardwood are endangered, and she is conscious of this. Most of the mahogany she buys is grown on plantations; it used to be cut from old-growth forests.The different types of wood give each piece its own personality, often complimented by other materials. "Solstice Light" makes a spiritual statement with its upright column topped by a candle, and the figure of a child reaching for the light. "Nice Day Foreseen" features a large rock in a meditative, Zen-like setting, on a mahogany base with its peak rising up through a "cloud" of basswood. In "Ribbon of Reflection," panels of red oak frame sections of textured blue mirror with a sand-blasted design along their edges; seeing reflections in them as you walk by gives a feeling of glimpses into another dimension, filled with soft blue light.Stolle has carved wood for two decades. Her first big sale was a 1%-for-art commission for the Kotzebue courthouse in 1980. Since then, she has had shows of her sculptures at Alaska Pacific University and the Decker-Morris Gallery in Anchorage, as well as Fairbanks, Seward, and Portland, Oregon. She has lived in Seward since 1990, and previous to that, spent 12 years in Selawik, where her husband was a teacher. The Native people there were an inspiration to her, giving her "a continuing respect of the natural world as well as an openness to and directness with the world of the spirit." Her sculptures will be on display at KPC through the end of October. |
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